In The Pharmacy #108 – Late September 2016

Twenty-five new tracks from the US, UK, Sweden, Norway, Australia and New Zealand. New music from Hamilton Leithauser + Rostam Batmanglij, Honeyblood, Kings of Leon, The Radio Dept., Warpaint, Grandaddy, Beach Slang, Warehouse, The Men, Black Honey, Devendra Banhart, Hope Sandoval and the Warm Inventions (pictured), Beck, Dirty Projectors, Jordan Rakei, Jenny Hval, FEHM, Local Natives, Haley Bonar, Nots, 
Hi-Tec Emotions, 
The Holiday Crowd, 
Wolf People, and Okkervil River.

Hamilton Leithauser + Rostam ‘In A Black Out’
On the back of his solo album Black Hours and collaborations with his former The Walkmen bandmate Paul Maroon, Hamilton Leithauser teams up with former Vampire Weekend multi-instrumentalist Rostam Batmanglij. This is the first of two tracks this episode taken from the album I Had A Dream That You Were Mine (out now).
[Hamilton Leithauser + Rostam]

Honeyblood ‘Sea Hearts’
From the Scottish noisepop duo’s forthcoming second album Babes Never Die, their first since Cat Myers replaced Shona McVicar (November 4, FatCat).
[Honeyblood]

Kings of Leon ‘Waste A Moment’
Love ‘em or hate them, it can’t be denied that Kings of Leon struggled to follow up their ubiquitous 2008 album Only By the Night. Come Around Sundown and Mechanical Bull seemed like the work of a band who had run out of steam. These guys really need to come back with a great album, and this track is a great start. From the album Walls (14, October).
[Kings of Leon]

The Radio Dept. ‘Swedish Guns’
Another track from Running Out of Love, the first album in five years for the Swedish dreampop band (Labrador, October21)
[The Radio Dept.]

Warpaint ‘White Out’
One of my favourite artists of recent years, the LA band served up a massive disappointment with the first track from new album Heads Up, ‘New Song’. It sounded like a bad remix of a good song. Thankfully, it is, by several orders of magnitude, the worst song on the album. This is the opening track and plays to all the band’s strengths: sinuous bass line, skittering drum beats, yearning vocals and a post punk sensibility to the angular guitars and keyboards.
[Warpaint]

Grandaddy ‘Way We Won’t’
First new material in 10 years from Modesto’s finest. A new album is due next year on Danger Mouse’s 30th Century Records label. This is classic stuff and stronger than anything on 2006’s Just Like The Fambly Cat.
[Grandaddy]

Beach Slang ‘Future Mixtape For The Art Kids’
From the Philly angst-punks’ new album A Loud Bash of Teenage Feelings (out now, Polyvinyl / Big Scary Monsters / Cooking Vinyl).
[Beach Slang]

Warehouse ‘Super Low’
Title track from the gravel-voiced-Elaine Edenfield-fronted Atlanta alt punks’ second album (September 30, Bayonet).
[Warehouse]

The Men ‘Lion’s Den’
Brooklyn punks dial up the garage for their sixth album Devil Music, the first on their own label, We Are The Men Records (November 11).
[The Men]

Black Honey ‘Hello Today’
Black Honey continue to move in a more polished direction while still managing to retain much of the charm of their earlier tracks.
[Black Honey]

Devendra Banhart ‘Middle Names’
Lead track from Banhart’s ninth (and excellent) new album Ape in Pink Marble (out now).
[Devendra Banhart]

Hope Sandoval and the Warm Inventions Feat. Kurt Vile ‘Let Me Get There’
The dreampop queen meets the slacker king for a marriage made in heaven, the vocals complement each other and KV’s guitar sounds like a stoned Television covering the intro to ‘Band on the Run’.
[Hope Sandoval and the Warm Inventions]

Beck ‘Wow’
Beck goes old school for the first track from his forthcoming album (tentatively due out in October).
[Beck]

Dirty Projectors ‘Keep Your Name’
First track in a while from David Longstreth (here accompanied by Mauro Refosco and Tyondai Braxton). A break-up ballad (presumed to be about former longterm partner and erstwhile bandmember Amber Coffman) where he goes from confusion to a mea culpa to a cutting slight of the other’s pursuit of fame over art.
[Dirty Projectors]

Jordan Rakei ‘Midnight Mischief [Tom Misch Remix]’
Remix of the lead track from the London-based Kiwi’s debut album Cloak (out now), this take’s the r n’ b number and makes it more electronic and throws in a nice chill guitar solo.
[Jordan Rakei]

Jenny Hval ‘Period Piece’
From the Adult Swim singles club and the Norwegian experimentalist’s new album Blood Bitch (September 30, Sacred Bones).
[Jenny Hval]

FEHM ‘Nullify’
Gothy post-punk from Leeds. Taken from their forthcoming Circadian Life EP (Art is Hard, 25 November)
[FEHM]

Local Natives ‘Dark Days’
The inimitable vocals of Nina Persson features on this track from the band’s third album Sunlit Youth (out now).
[Local Natives]

Haley Bonar ‘Called You Queen’
Another stand out track from Bonar’s latest album Impossible Dream (out now, GNDWIRE)
[Haley Bonar]

Nots ‘New Structures’

From the Memphis noisepunks second album Cosmetic (out now, Heavenly).
[Nots]


Hi-Tec Emotions ‘Look Around’
Like ITP faves Stina Tester and Cinta Masters, Melbourne’s Hi-Tec Emotions are part of the Listen Records family. A label set up to promote and support Australian female and LGBTQIA artists.
[Hi-Tec Emotions]


The Holiday Crowd ‘Anything Anything’
Old school indie pop with hints of the Go-Betweens and C86 with a lovely piece of jangle pop from their forthcoming, self-titled second album (Shelflife, October 21).
[The Holiday Crowd]


Wolf People ‘Ninth Night’
It’s been a great year for heavy space rock (Besnard Lakes, Black Mountain, Heron Oblivion). This is from the UK band’s forthcoming RUINS album (November 11, Jagjaguwar).
[Wolf People]


Okkervil River ‘Frontman in Heaven’
Another great track from Away (out now, Jagjaguwar).
[Okkervil River]

Hamilton Leithauser + Rostam ‘The Morning Stars’
Second track this episode taken from the album ‘I Had A Dream That You Were Mine’ (out now).
[Hamilton Leithauser + Rostam]

In The Pharmacy #98 – April 2016

Thirty-five new tracks from Denmark, USA, Australia, Canada and the UK. Over two hours of great tunes from The Raveonettes (pictured), Violent Soho, Tacocat, Woods, Kevin Morby, Yeasayer, Julia Jacklin, White Denim, Parquet Courts, Damien Jurado, The Thermals, The Goon Sax, Case / Lang / Veirs, Kyle Craft, Horror My Friend, Autolux, Black Honey, Keeps, Xenia Rubinos, The Gotobeds, Bleached, Gold Class, Moonface and Siinai, A Giant Dog, Lisa Prank, Winterpills, Gorgeous Bully, Mere Women, Psychic Ills featuring Hope Sandoval, Plush, Mhairi, Marissa Nadler, Deardarkhead, Black Mountain, and Stars.

The Raveonettes ‘Excuses’
The latest from the Danish band’s Rave Sound of The Month series, written and recorded in 24 hours after they failed to get the mechanical licence for their planned cover version in time.
[The Raveonettes]

Violent Soho ‘Blanket’
Formerly based in the US and signed to Thurston Moore’s Ecstatic Peace label, Violent Soho relocated back to Australia five years ago and it seems to agree with them. Killer performances at this year’s Laneway Festival, tours that sell out in minutes and the current #1 album in Australia with Waco.
[Violent Soho]

Tacocat ‘Dana Katherine Scully’
From the title (Lost Time, out now, Hardly Art) on down, X-files references abound on the third album from the Seattle surf punks. This opening track is merely the most overt, a tribute to the more reason-led half of the the paranormal searching duo.
[Tacocat]

Woods ‘I See In The Dark’
Mournful horns, afro-funk, and west coast psychedelia meet on the first taste of the band’s forthcoming ninth album Sun City Eater in the River of Light (April 8, Woodsist). Can’t wait to hear the rest of it.
[Woods]

Kevin Morby ‘Dorothy’
Former Woods and sometimes Babies man Kevin Morby follows up 2014’s excellent Still Life with another track from his album Singing Saw (April 15, Dead Oceans).
[Kevin Morby]

Yeasayer ‘Dead Sea Scrolls’
Another stand out track from the forthcoming Yeasayer album, Amen & Goodbye. There’s a lot going on here, led and held together by the bass and percussion, there’s various synths, horns and woodwind coming in and out plus cameos from guitar and piano and a wordless vocal refrain (April 8th)
[Yeasayer]

Julia Jacklin ‘Pool Party’
It often seems that Sydney is awash with mediocre singer songwriters, so it’s always great when someone with talent comes along. Immediately prior to causing a buzz at SxSW (and weathering what could easily be crushing comparison’s to Angel Olsen), the Blue Mountains artist slipped this song out, and it’s a corker.
[Julia Jacklin]

White Denim ‘Had 2 Know (Personal)’
From the garage/blues rock band’s new album Stiff (out now, Downtown Records).
[White Denim]

Parquet Courts ‘Human Performance’
After the unnecessary, tuneless dirge of the last year’s Monastic Living EP (why?), Parquet Courts return with a proper record, of which this is the charming slacker fuzz title track.
[Parquet Courts]

Damien Jurado ‘QACHINA’
The mystic journey of discovery trilogy that started with Maroqopa (2012) and continued with Brothers and Sisters of The Eternal Son (201$) ends with Visions of Us on the Land, Jurado’s 12th (!) album (out now, Secretly Canadian). Proof that 21st Century Cosmic American music doesn’t need to sound like bad country.
[Damien Jurado]

The Goon Sax ‘Target’
Urbane indie pop trio from Brisbane-band which features Robert Forster’s son Louis, but who have enough talent of their own that people like me will probably stop mentioning the connection in about 20 years. From their excellent debut, Up To Anything (Chapter Music, out now).
[The Goon Sax]

The Thermals ‘Thinking of You’
With albums on Sub Pop, Kill Rock Stars and Saddle Creek, this Portland band are indie rock lifers. Hard to believe it’s a decade since their excellent The Body, The Blood, The Machine, which in itself was bookended by two other great albums (2004’s Fuckin’ A and 2009’s Now We Can See). Now they are back with their best album in 10 years, We Disappear (Saddle Creek, out now). Even on an album where tracks only break the three-minute mark twice, this one is a lesson in post-pop punk brevity.
[The Thermals]

Case / Lang / Veirs ‘Best Kept Secret’
Following on from the Neko-led ‘Atomic Number’, here’s a catchy Laura Veirs sung number from the forthcoming collaborative album from Neko Case, KD Lang and Laura Veirs (June 17, Ant- / Epitaph).
[Case / Lang / Veirs]

Kyle Craft ‘Eye of A Hurricane’
Another track from the Portland, OR via Louisiana musician’s forthcoming debut album Dolls of Highland (Sub Pop, April 29).
[Kyle Craft]

Horror My Friend ‘Easy Going’
Taken from their debut Stay In, Do Nothing that came out a couple of months back (Poison City), but worth flagging up now as the band have just completed their album launch tour here in Australia.
[Horror My Friend]

Autolux ‘Becker’
One album every six years is a bit slack, but Pussy’s Dead, the third effort from the Los Angeles shoegaze / krautrock / space rock trio has been worth the wait, upping the electronics.
[Autolux]

Black Honey ‘All My Pride’
First track from the Brighton-based retro indie pop band’s forthcoming Headspin EP (29 April).
[Black Honey]

Keeps ‘Let It Fall (Keeping Time)’
From the Nashville dreampop band’s debut album Brief Spirit (out now, Old Flame Records).
[Keeps]

Xenia Rubinos ‘Lonely Lover’
Smooth and smokey stuff from Rubinos’ forthcoming second album Black Terry Cat (June 3, Anti-), the follow up to 2013’s Magic Trix.
[Xenia Rubinos]

The Gotobeds ‘Real Maths / Too Much’
Catchy indie punk rock from the Pittsburgh band’s forthcoming album
BLOOD // SUGAR // SECS // TRAFFIC‘ (Sub Pop, June 10).
[The Gotobeds]

Bleached ‘Chemical Air’
LA based sisters Jen and Jessica Clavin delivered one of 2013’s best albums with Ride Your Heart their Shangri-Las-meets-garage-pop debut as Bleached (they’d previously played together in Mika Miko). The follow up finds the Clavins bringing bassist Micayla Grace into the songwriting and recording with veteran producer Joe Chiccarelli, who cut is teeth with Frank Zappa and has recordied everyone from Poco to Spoon to My Morning Jacket and the Front Bottoms. This second preview track from Welcome the Worms is driven by simple girl-group inspired rhythm, fuzz guitar and a topped by the vocal melody and the repeated hook of “I’ve been giving in, in to giving up, up to nothing but trying to kill time / you’ve been missing now, out on everything, everything is passing you by” (out now, Dead Oceans).
[Bleached]

Gold Class ‘Standing At The Fault Line’
Melbourne gothy post-punksters follow up their excellent debut album with this track, one side of a split single with Sydney-side kindred spirits Mere Women.
[Gold Class]

Moonface and Siinai ‘Risto’s Riff’
Spencer Krug of the recently re-activated Wolf Parade returns with the third of his collboaration with Finnish band Siinai, My Best Human Face (Jagjaguwar, June 3).
This is the first track to surface, featuring Krug’s inimitable vocal style, heavily sustained guitar riff and driving beat.
[Moonface and Siinai]

A Giant Dog ‘Get With You and Get High’
Houston band enlist fellow Texan Bitt Daniel on this out of character slow number taken from their forthcoming third album, Pile (Merge, 6 May).
[A Giant Dog]

Lisa Prank ‘Starting Again’
Lisa Prank, aka Seattle-via-Dnver-based singer guitarist Robin Edwards and her Roland 505 drum machine with the first single from her Adult Teen album (June 24, Father/Daughter / Miscreant).
[Lisa Prank]

Winterpills ‘Freeze Your Light’
Northampton, MA indie folksters follow up their low key covers record Echolalia (2014) with their fifth album proper, Love Songs (Signature Sound, out now), from which this is one of many highlights.
[Winterpills]

Gorgeous Bully ’Beaucoup’
Nineties-indebted minimal indie rock from the Manchester band. One side of a split 7” with Something Anorak (May 27, Art Is Hard).
[Gorgeous Bully]

Mere Women ‘Numb’
The other side of the split single with Gold Class, more post-puk vibes, but harder-edged and less forgiving.
[Mere Women]

Psychic Ills featuring Hope Sandoval ‘I Dont Mind’
New York duo enlist Hope Sandoval just to underline the debt this desert-blues number owes to Mazzy Star.
[Psychic Ills]

Plush ‘Please Don’t Let Me Go’
This San Franciscan band who have never heard of Google (time to pick another name, dudes!) deal in lo-fi sob rock, of which this is a rather lovely slice.
[Plush]

Mhairi ‘Crystalline’
Smokey trip-hop influenced electronic noir pop from 20 year old Bournemouth musician.
[Mhairi]

Marissa Nadler ‘All The Colors of The Dark’
Massachusetts gothic folk singer songwriter follows up 2014’s wonderful July with a new album Strangers (Sacred Bones / Bella Union, May 20th). This is the second track to be featured here after last month’s ‘Janie in Love’.
[Marissa Nadler]

Deardarkhead ‘Falling Upward’
New Jersey’s veteran post-punk influenced shoegazers who parted ways with their vocalist in 2009 have found a renewed focus since they now deal exclusively in instrumental music. This is from their rather excellent Strange Weather EP (out now, Saint Marie Records).
[Deardarkhead]

Black Mountain ‘Space To Bakersfield’
Epic space rock closer from the Canadian band’s new IV album (out now, Jagjaguwar).
[Black Mountain]

Stars ‘Wonderful Life’
Lovely Amy Milan-fronted tribute to the late Colin Vearncombe as part of Stars monthly cover series.
[Stars]

In The Pharmacy #88 – October 2015

Eighteen new tracks from the US, UK, Australia, New Zealand and Sweden. New music from Two Cartoons, Chvrches, Girls Names, Sports, Widowspeak, Cristobal and the Sea, US Girls, Robert Forster, Fidlar, Joanna Newsom, Baio, The Decemberists, Empress Of, Soda Shop (pictured), Black Honey, PWR BTTM, Family of The Year and Lust For Youth.

Two Cartoons ‘Males’

Catchy garage pop from ex-pat Dunedin duo. Taken from their forthcoming debut album Happiness isTrouble (Far South, release date tbc).
[Two Cartoons]

Chvrches ‘Bury It’
Their disappointing and bloated debut album was only rescued by a couple of great singles and some excellent live shows. Album number two Every Open Eye (out now) is much more the ticket and finds them ramping up the songwriting and cutting down on the filler. This is one of the highlights.
[Chvrches]

Girls Names ‘Dysmorphia’
More dark rock n’ roll from the Belfast band’s third album Arms Around A Vision (out now, Tough Love).
[Girls Names]

Sports’ Get Bummed Out’
Following on from ‘Saturday’, ‘Washing Machine’ and ‘Reality TV’, this is the fourth track to be featured from the Ohio band’s still-not-quite-out yet second album, All of Something (Father/Daughter records, 30 October). Can’t wait to finally hear the whole thing.
[Sports]

Widowspeak ‘Borrowed World
Brooklyn dreampop duo with a track from their latest album All Yours (out now, Captured Tracks). Unlike previously featured track ‘Girls’, this one features Robert Earl Thomas on lead vocal.
[Widowspeak]

Cristobal and the Sea ‘Counting Smiles’
Opening song from the Anglo-Spanish-Portugese-Corsican quartet’s debut album Sugar Now (out now, City Slang). Starts off as a simple percussion-free indie folk number before the flute and drums kick in, raise the tempo and it becomes an irresistible piece of dance floor psych pop.
[Cristobal and the Sea]

US Girls ‘Window Shades’
Third track featured here from the experimental popster Meghan Remy’s 4AD debut Half Free (out now). Funky, electronic pop with orchestral flourishes.
[U.S. Girls]

Robert Forster ‘A Poet Walks’
Former Go-Betweens legend with a track from his first solo album since 2008’s The Evangelist. Songs to Play is an excellent album, it finds Forster at the top of his game as both songwriter and performer. A warm and charming collection of songs that couldn’t have been made by anyone else.
[Robert Forster]

Fidlar ‘Why Generation’
Psych pop verses and garage pop chorus from the LA band’s second album Too (out now, Mom & Pop).
[Fidlar]

The Drink ‘Roller’
One of the more straightforward tracks from Capital the absolutely brilliant first-album-proper from the London-based post-punk-folk three piece (Melodic, November 13). You can get a download of the whole album now if you pre-order the physical edition direct from Melodic.
[The Drink]

Joanna Newsom ‘Leaving the City’
Over five years on from magnum opus triple album Have One On Me, Joanna Newsom returns with her fourth album Divers (Drag City, October 23). This is the second preview track from the album after August’s ‘Saponkanikan’.
[Joanna Newsom]

Baio ‘I Was Born In A Marathon’
Vampire Weekend bass player with a track from his excellent debut solo album of electronic dancefloor pop, The Names (out now, Glassnote).
[Baio]

The Decemberists ‘Fits & Starts’
Surprising garage punk number from the new Florasongs EP (October 9, Atlantic), 5 songs recorded at the same sessions that produced this year’s excellent What A Terrible World, What A Beautiful World album.
[The Decemberists]

Empress Of ‘How Do You Do It’

Following on from ‘Water Water’ back in May (ITP #78), here’s Brooklyn-based electronic pop artist Lorely Rodriguez with another highlight from her debut album (out now, Terrible / XL).
[Empress Of]

Soda Shop ‘Wistful Past’
New York indiepop duo with a track from their charming self-titled debut album (out now, Velvet Blue Music)
[Soda Shop]

Black Honey ‘Corrine’
Brighton buzzband with new single about having a row with your best friend who then quits their job, sells their phone and moves to the other side of the world before you can make up.
[Black Honey]

PWR BTTM ‘I Wanna Boi’
Another great track (the fourth featured here) taken from the New Paltz queer punk duo’s brilliant debut album Ugly Cherries (out now, Father/Daughter Records / Miscreant).
[PWR BTTM]

Family of The Year ‘Hey Kid’
Lovely downbeat number from the LA sunshine indie pop band’s self-titled album (out now, Nettwerk).
[Family of the Year]

Lust For Youth ‘Better Looking Brother’

Swedish electronic trio led by Hannes Norrvide successfully channel 90s Depeche Mode on their new digital only single (available now, Sacred Bones).
[Lust For Youth]

In The Pharmacy #77 – Late April 2015

Twenty-one new tracks. Indie rock, indiepop, post-punk, psych pop, experimental pop, electronic pop, folk and punk.

Milky Wimpshake ‘Heterosexuality Is A Construct’
From the punk indie-pop lifers’ excellent Encore, Un Effort! album. Classic, scratchy, melodic, political.
[Milky Wimpshake]

Black Honey ‘Spinning Wheel’
Rumbling retro Spaghetti Western indie pop from the slightly mysterious outift born from the ashes of Brighton noise pop hopefuls Kill Moon.
[Black Honey]

Unknown Mortal Orchestra ‘Can’t Keep Checking My Phone’
Following on from the title track back in February (ITP #72) here’s another stand-out groove from the Portland band led by ex-pat Kiwi Ruban Nielson.
[Unknown Mortal Orchestra]

Built to Spill ‘Living Zoo’
Indie rock veteran Doug Martsch continues to combine great melodies with some winding, expressive guitar playing that is half J Masics, half Isaac Brock. This is from the band’s first new album in six years (and one of their best), Untethered Moon.
[Built to Spill]

Jacco Gardener ‘Find Yourself’
First featured here back in 2012 with ‘The Ballad of Little Jane’ (ITP#23), this is the title track from the dutch baroque psych pop dude’s forthcoming second album (Polyvinyl / Full Time Hobby / Excelsior, May 4), the follow up to the charming Cabinet of Curiosities (2013).
[Jacco Gardener]

Jenny Hval ‘Sabbath’
Norwegian experimental singer songwriter Jenny Hval returns with a half spoken / half sung stunner taken from her forthcoming Apocalypse Girl album (Sacred Bones, June 9)
[Jenny Hval]

Moon King ‘Apocalypse’
Toronto shoegaze duo with a track from their second album Secret Life (out now, Last Gang).
[Moon King]

Speedy Ortiz ‘Swell Content’
Short and snappy number from the 90s-indebted band’s new album Foil Deer (Carpark, out now).
[Speedy Orttiz]

U.S. Girls ‘Damn That Valley’
First featured here with ‘Jack’ back in August 2012 (ITP #16). After three self released albums and one on FatCat, Meghan Remy (who is U.S. Girls) makes her debut single for 4AD ahead of a full album later this year.
[U.S. Girls]

Miniboone ‘Basic Song’
From the New York art rock / power pop band’s second album Bad Sports (out now, Ernest Jennings Record Company).
[Miniboone]

Girlpool ‘Before the World Was Big’
Title track from the ITP favourites’ debut album (Wichita, June 1).
[Girlpool]

Passion Pit ‘My Brother Taught Me How to Swim’
Maximalist electronic pop from Michael Angelakos’ third album Kindred (out now).
[Passion Pit]

Courtney Barnett ‘Close Watch’
John Cale cover version. The b-side from CB’s Record Store Day 12” ‘Kim’s Caravan’.
[Courtney Barnett]

Downtown Boys ‘Monstro’
Providence, RI punk/ post-punk punks with a track taken from their Full Communism album (Don Giovani, May 4). Expect music that addresses “the prison-industrial complex, racism, queerphobia, capitalism, fascism, boredom, and all things people use to try to close our minds, eyes and hearts.”
[Downtown Boys]

Eternal Summers ‘Together or Alone’
First track to surface from the Roanoke, VA jangle pop band’s Gold and Stone album (Kanine, June 2).
[Eternal Summers]

Broken Water ‘Love and Poverty’
Olympia, WA band with a unique blend of grunge, shoegaze and 80s indie rock aesthetics. This is taken from their forthcoming album Wrought (Night People Records, out now)
[Broken Water]

No Joy ‘Moon in My Mouth’
Traces of woozy shoegaze,from the Montreal band’s forthcoming third album, More Faithful (Mexican Summer, June 9).
[No Joy]

Institute ‘Perpetual Ebb’
Texan punks with a post-punk bent, from their forthcoming Sacred Bones debut, Catharsis (out June 9).
[Institute]

Torres ‘The Harshest Light’
This track first appeared in a different form on a 2014 Record Store Day 7”, the structure remain similar, but the song has a more forceful presence, as if it was the work of a more confident artist.
[Torres]

Bill Fay ‘The Geese Are Flying Westward’
The north London singer songwriter, who waited 40 years between his second and third album, opens his fourth with this beautiful rumination on the path not travelled.
[Bill Fay]

Father John Misty ‘I Loved You, Honeybee’
A different version of ‘I Love You, Honeybear’ taken from the 2015 Record Store Day heart-shaped 7”.
[Father John Misty]