In The Pharmacy #108 – Late September 2016

Twenty-five new tracks from the US, UK, Sweden, Norway, Australia and New Zealand. New music from Hamilton Leithauser + Rostam Batmanglij, Honeyblood, Kings of Leon, The Radio Dept., Warpaint, Grandaddy, Beach Slang, Warehouse, The Men, Black Honey, Devendra Banhart, Hope Sandoval and the Warm Inventions (pictured), Beck, Dirty Projectors, Jordan Rakei, Jenny Hval, FEHM, Local Natives, Haley Bonar, Nots, 
Hi-Tec Emotions, 
The Holiday Crowd, 
Wolf People, and Okkervil River.

Hamilton Leithauser + Rostam ‘In A Black Out’
On the back of his solo album Black Hours and collaborations with his former The Walkmen bandmate Paul Maroon, Hamilton Leithauser teams up with former Vampire Weekend multi-instrumentalist Rostam Batmanglij. This is the first of two tracks this episode taken from the album I Had A Dream That You Were Mine (out now).
[Hamilton Leithauser + Rostam]

Honeyblood ‘Sea Hearts’
From the Scottish noisepop duo’s forthcoming second album Babes Never Die, their first since Cat Myers replaced Shona McVicar (November 4, FatCat).
[Honeyblood]

Kings of Leon ‘Waste A Moment’
Love ‘em or hate them, it can’t be denied that Kings of Leon struggled to follow up their ubiquitous 2008 album Only By the Night. Come Around Sundown and Mechanical Bull seemed like the work of a band who had run out of steam. These guys really need to come back with a great album, and this track is a great start. From the album Walls (14, October).
[Kings of Leon]

The Radio Dept. ‘Swedish Guns’
Another track from Running Out of Love, the first album in five years for the Swedish dreampop band (Labrador, October21)
[The Radio Dept.]

Warpaint ‘White Out’
One of my favourite artists of recent years, the LA band served up a massive disappointment with the first track from new album Heads Up, ‘New Song’. It sounded like a bad remix of a good song. Thankfully, it is, by several orders of magnitude, the worst song on the album. This is the opening track and plays to all the band’s strengths: sinuous bass line, skittering drum beats, yearning vocals and a post punk sensibility to the angular guitars and keyboards.
[Warpaint]

Grandaddy ‘Way We Won’t’
First new material in 10 years from Modesto’s finest. A new album is due next year on Danger Mouse’s 30th Century Records label. This is classic stuff and stronger than anything on 2006’s Just Like The Fambly Cat.
[Grandaddy]

Beach Slang ‘Future Mixtape For The Art Kids’
From the Philly angst-punks’ new album A Loud Bash of Teenage Feelings (out now, Polyvinyl / Big Scary Monsters / Cooking Vinyl).
[Beach Slang]

Warehouse ‘Super Low’
Title track from the gravel-voiced-Elaine Edenfield-fronted Atlanta alt punks’ second album (September 30, Bayonet).
[Warehouse]

The Men ‘Lion’s Den’
Brooklyn punks dial up the garage for their sixth album Devil Music, the first on their own label, We Are The Men Records (November 11).
[The Men]

Black Honey ‘Hello Today’
Black Honey continue to move in a more polished direction while still managing to retain much of the charm of their earlier tracks.
[Black Honey]

Devendra Banhart ‘Middle Names’
Lead track from Banhart’s ninth (and excellent) new album Ape in Pink Marble (out now).
[Devendra Banhart]

Hope Sandoval and the Warm Inventions Feat. Kurt Vile ‘Let Me Get There’
The dreampop queen meets the slacker king for a marriage made in heaven, the vocals complement each other and KV’s guitar sounds like a stoned Television covering the intro to ‘Band on the Run’.
[Hope Sandoval and the Warm Inventions]

Beck ‘Wow’
Beck goes old school for the first track from his forthcoming album (tentatively due out in October).
[Beck]

Dirty Projectors ‘Keep Your Name’
First track in a while from David Longstreth (here accompanied by Mauro Refosco and Tyondai Braxton). A break-up ballad (presumed to be about former longterm partner and erstwhile bandmember Amber Coffman) where he goes from confusion to a mea culpa to a cutting slight of the other’s pursuit of fame over art.
[Dirty Projectors]

Jordan Rakei ‘Midnight Mischief [Tom Misch Remix]’
Remix of the lead track from the London-based Kiwi’s debut album Cloak (out now), this take’s the r n’ b number and makes it more electronic and throws in a nice chill guitar solo.
[Jordan Rakei]

Jenny Hval ‘Period Piece’
From the Adult Swim singles club and the Norwegian experimentalist’s new album Blood Bitch (September 30, Sacred Bones).
[Jenny Hval]

FEHM ‘Nullify’
Gothy post-punk from Leeds. Taken from their forthcoming Circadian Life EP (Art is Hard, 25 November)
[FEHM]

Local Natives ‘Dark Days’
The inimitable vocals of Nina Persson features on this track from the band’s third album Sunlit Youth (out now).
[Local Natives]

Haley Bonar ‘Called You Queen’
Another stand out track from Bonar’s latest album Impossible Dream (out now, GNDWIRE)
[Haley Bonar]

Nots ‘New Structures’

From the Memphis noisepunks second album Cosmetic (out now, Heavenly).
[Nots]


Hi-Tec Emotions ‘Look Around’
Like ITP faves Stina Tester and Cinta Masters, Melbourne’s Hi-Tec Emotions are part of the Listen Records family. A label set up to promote and support Australian female and LGBTQIA artists.
[Hi-Tec Emotions]


The Holiday Crowd ‘Anything Anything’
Old school indie pop with hints of the Go-Betweens and C86 with a lovely piece of jangle pop from their forthcoming, self-titled second album (Shelflife, October 21).
[The Holiday Crowd]


Wolf People ‘Ninth Night’
It’s been a great year for heavy space rock (Besnard Lakes, Black Mountain, Heron Oblivion). This is from the UK band’s forthcoming RUINS album (November 11, Jagjaguwar).
[Wolf People]


Okkervil River ‘Frontman in Heaven’
Another great track from Away (out now, Jagjaguwar).
[Okkervil River]

Hamilton Leithauser + Rostam ‘The Morning Stars’
Second track this episode taken from the album ‘I Had A Dream That You Were Mine’ (out now).
[Hamilton Leithauser + Rostam]

In The Pharmacy #106 – August 2016

Twenty five new tracks from the US, UK, Norway, Denmark, and Australia. Indie rock, psych pop, indie folk, experimental pop etc. New music from Wild Beasts, Okkervil River, Hamilton Leithauser + Rostam (pictured), Morgan Delt, Of Montreal, Sad13, The Raveonttes, Flock of Dimes, Cheena, Exploded View, Tanukichan, Jenny Hval, Bon Iver, Honey Radar, Fond Han, LVL UP, Mass Gothic, Ian Sweet, Kyle Craft, The Laurels, Stove, PWR BTTM, The Tindales, Hockey Dad, and Weyes Blood.

In The Pharmacy #78 – May 2015

Nineteen new tunes from the US, Australia, Sweden, Norway, the UK, and Canada. Indie pop, experimental pop, electronic pop, psych pop, garage punk, shoegaze, dreampop etc. New music from Django Django, Best Coast, Sharon Van Etten, Pale Honey (pictured), Titus Andronicus, Tame Impala, Future Islands, Power, Colin Stetson and Sarah Neufeld, The Lovely Eggs, Alessia Cara, Vexx, Misun, Jenny Hval, Cheena, Empress Of, Chelsea Wolfe, Joanna Gruesome, Valet.

The Lovely Eggs ‘Ordinary People Unite’

Lancashire spousal pop from Holly Ross and David Blackwell, taken from their new album This Is Our Nowhere (out now).
[The Lovely Eggs]

Django Django ‘Giant’

Opening track from the band’s new album Born Under Saturn, psych tinged, groove-centric, electronic indie pop.
[Django Django]

Best Coast ‘In My Eyes’
Best Coast’s second album was terrible, but they followed it up with the fantastic Fade Away EP. Their new album California Nights builds on that momentum and all the horrible affectations and weaknesses of The Only Place have been blasted away and replaced with surf pop songs of superior quality and catchiness.
[Best Coast]

Pale Honey ‘Fish’
Gothenburg duo of Tuva Lodmark and Nelly Daltrey play guitar and drums indie pop with retro flourishes. This is taken from their rather excellent eponymous debut album (out now).
[Pale Honey]

Titus Andronicus ‘Dimed Out’
Killer punk tune about turning it up to 10: “I turned it up to four I couldn’t feel it / I turned it to five it wasn’t real yet / turning it up to six wouldn’t reveal it / seven was secret / eight was reaching / nine was decent but I really liked it when it dimed out!” taken from the New Jersey band’s forthcoming The Most Lamentable Tragedy 93-minutes-long concept album (Merge, July 28).
[Titus Andronicus]

Tame Impala ‘Eventually’
Another new track from the eagerly awaited third album Currents. Smooth, soulful psych pop with filthy fuzzed out bass.
[Tame Impala]

Future Islands ‘The Chase’

First new material since last year’s breakthrough Singles album follows in the same footsteps. Soulful synthpop (available digitally now and on 7” vinyl June 30).
[Future Islands]

Power ‘Slimy’s Chains’

Melbourne heavy rock garage punk. Taken from the forthcoming Electric Glitter Boogie EP (Cool Death Records).
[Power]

Sharon Van Etten ‘I Don’t Want to Let You Down’

Title track from SVE’s new EP.
[Sharon Van Etten]

Colin Stetson / Sarah Neufeld ‘Won’t Be a Thing to Become’

Post rock meets modern classical with hints of Radiohead from the horn and violin players’ excellent collaborative album (out now, Constellation).
[Colin Stetson / Sarah Neufeld]

Alessia Cara ‘Here’

Maybe much of the appeal of this track is down to familiarity – it basically consists of the same Isaac Hayes ‘Ike’s Rap II’ sample that Tricky and Portishead used over 20 years ago for their ‘Hell Is Round the Corner’ / ‘Glory Box’ tracks respectively. But the the 18 year old Ontario born Def Jam signed artist sing-raps over the top about having a shit time at a party with no little charm.
[Alessia Cara]

Vexx ‘Black White’

Olympia, WA punks fronted by Maryjane Dunphe, taken from their new four track 7”, Give and Take (available as a name-your-price download from their bandcamp page).
[Vexx]

Misun ‘After Me’
Laidback electropop, with great vocals and lovely, fuzzy guitar that kicks in at the three minute mark. Taken from the DC band’s Feel Better EP (out May 29).
[Misun]

Jenny Hval ‘Heaven’
Another stand out track from the Norwegian experimental pop artist’s Apocalypse, Girl album (out June 9 on Sacred Bones).
[Jenny Hval]

Cheena ‘Did I Tell You Last Night’
Another Sacred Bones signed artist. Five guys raised in NYC’s underground punk scene getting together to stretch their wings on something less shouty and more melodic and coming up with something mid-70s post-glam-proto-punk in sound and feel.
[Cheena]

Empress Of ‘Water Water’

Brooklyn-based electronic pop artist Lorely Rodriguez, first featured here two years ago with ‘Hat Trick’ and ‘Tristeza’ (ITP #28 & #30) returns with the first track from her debut album (tbc, on Terrible / XL).
[Empress Of]

Chelsea Wolfe ‘Iron Moon’

Last featured here with her King Dude collaboration ‘Be Free’ (Feb 2014, ITP #51), the LA doom / drone / folk singer songwriter returns with the first track from her forthcoming fourth album Abyss (Sargent House, August 7).
[Chelsea Wolfe]

Joanna Gruesome ‘I Don’t Wanna Relax’
Another slice of MBV-indebted noise pop from the Cardiff-based band’s excellent forthcoming second album Peanut Butter (Fortuna Pop! / Slumberland / Turnstile, May 11).
[Joanna Gruesome]

Valet ‘Nature’
Shoegaze / dreampop title track from the solo project of Portland experimentalist Honey Owens (out May 25, Kranky).
[Valet]

In The Pharmacy #77 – Late April 2015

Twenty-one new tracks. Indie rock, indiepop, post-punk, psych pop, experimental pop, electronic pop, folk and punk.

Milky Wimpshake ‘Heterosexuality Is A Construct’
From the punk indie-pop lifers’ excellent Encore, Un Effort! album. Classic, scratchy, melodic, political.
[Milky Wimpshake]

Black Honey ‘Spinning Wheel’
Rumbling retro Spaghetti Western indie pop from the slightly mysterious outift born from the ashes of Brighton noise pop hopefuls Kill Moon.
[Black Honey]

Unknown Mortal Orchestra ‘Can’t Keep Checking My Phone’
Following on from the title track back in February (ITP #72) here’s another stand-out groove from the Portland band led by ex-pat Kiwi Ruban Nielson.
[Unknown Mortal Orchestra]

Built to Spill ‘Living Zoo’
Indie rock veteran Doug Martsch continues to combine great melodies with some winding, expressive guitar playing that is half J Masics, half Isaac Brock. This is from the band’s first new album in six years (and one of their best), Untethered Moon.
[Built to Spill]

Jacco Gardener ‘Find Yourself’
First featured here back in 2012 with ‘The Ballad of Little Jane’ (ITP#23), this is the title track from the dutch baroque psych pop dude’s forthcoming second album (Polyvinyl / Full Time Hobby / Excelsior, May 4), the follow up to the charming Cabinet of Curiosities (2013).
[Jacco Gardener]

Jenny Hval ‘Sabbath’
Norwegian experimental singer songwriter Jenny Hval returns with a half spoken / half sung stunner taken from her forthcoming Apocalypse Girl album (Sacred Bones, June 9)
[Jenny Hval]

Moon King ‘Apocalypse’
Toronto shoegaze duo with a track from their second album Secret Life (out now, Last Gang).
[Moon King]

Speedy Ortiz ‘Swell Content’
Short and snappy number from the 90s-indebted band’s new album Foil Deer (Carpark, out now).
[Speedy Orttiz]

U.S. Girls ‘Damn That Valley’
First featured here with ‘Jack’ back in August 2012 (ITP #16). After three self released albums and one on FatCat, Meghan Remy (who is U.S. Girls) makes her debut single for 4AD ahead of a full album later this year.
[U.S. Girls]

Miniboone ‘Basic Song’
From the New York art rock / power pop band’s second album Bad Sports (out now, Ernest Jennings Record Company).
[Miniboone]

Girlpool ‘Before the World Was Big’
Title track from the ITP favourites’ debut album (Wichita, June 1).
[Girlpool]

Passion Pit ‘My Brother Taught Me How to Swim’
Maximalist electronic pop from Michael Angelakos’ third album Kindred (out now).
[Passion Pit]

Courtney Barnett ‘Close Watch’
John Cale cover version. The b-side from CB’s Record Store Day 12” ‘Kim’s Caravan’.
[Courtney Barnett]

Downtown Boys ‘Monstro’
Providence, RI punk/ post-punk punks with a track taken from their Full Communism album (Don Giovani, May 4). Expect music that addresses “the prison-industrial complex, racism, queerphobia, capitalism, fascism, boredom, and all things people use to try to close our minds, eyes and hearts.”
[Downtown Boys]

Eternal Summers ‘Together or Alone’
First track to surface from the Roanoke, VA jangle pop band’s Gold and Stone album (Kanine, June 2).
[Eternal Summers]

Broken Water ‘Love and Poverty’
Olympia, WA band with a unique blend of grunge, shoegaze and 80s indie rock aesthetics. This is taken from their forthcoming album Wrought (Night People Records, out now)
[Broken Water]

No Joy ‘Moon in My Mouth’
Traces of woozy shoegaze,from the Montreal band’s forthcoming third album, More Faithful (Mexican Summer, June 9).
[No Joy]

Institute ‘Perpetual Ebb’
Texan punks with a post-punk bent, from their forthcoming Sacred Bones debut, Catharsis (out June 9).
[Institute]

Torres ‘The Harshest Light’
This track first appeared in a different form on a 2014 Record Store Day 7”, the structure remain similar, but the song has a more forceful presence, as if it was the work of a more confident artist.
[Torres]

Bill Fay ‘The Geese Are Flying Westward’
The north London singer songwriter, who waited 40 years between his second and third album, opens his fourth with this beautiful rumination on the path not travelled.
[Bill Fay]

Father John Misty ‘I Loved You, Honeybee’
A different version of ‘I Love You, Honeybear’ taken from the 2015 Record Store Day heart-shaped 7”.
[Father John Misty]

In The Pharmacy #74 – March 2015

Warpaint ‘I’ll Start Believing’
Unlike the leisurely paced seven-plus minutes of new single ‘No Way Out’, this b-side starts with a communal scream and clocks in at under 180 seconds. It’s all sinuous guitar lines, fuzzed bass and Stella Mozgawa’s urgent drumming. These two tracks are the“first in a series of new songs being released this year” and hopefully a sign of a new period of prolificness for the band who have previously released (brilliant) records at a snail’s pace.
[Warpaint]

Tame Impala ‘Let It Happen’
Speaking of seven-plus minute tunes, this is the first new track from Kevin Parker since 2010’s Lonerism. An electronics-heavy psych number, with the strings kicking in around the four minute mark and it’s not until after the six minute mark where we hear something that is recognizably a guitar. Download it for free over on the Tame Impala site.
[Tame Impala]

The Mountain Goats ‘Heel Turn 2 (edit)’
Second track to be released from the loosely wrestling themed album Beat the Champ (April, Merge) only whets our appetite to hear the whole thing. The full length version of this song has a beautiful instrumental piano coda that’s as long as the narrative part.
[The Mountain Goats]

Bully ‘I Remember’
First featured here with ‘Milkman’ back in November (ITP #67) this tracks is taken from the Nashville based band’s forthcoming as yet untitled album.
[Bully]

Chromatics ‘I Can Never be Myself When You’re Around’
Johnny Jewel and co. return with more 80s indebted electronic pop. This is taken from delayed forthcoming album Dear Tommy, the follow up to 2012’s Kill For Love.
[Chromatics]

Colleen ‘Captain of None’
Colleen (aka French multi-instrumentalist Cecile Schott) utilises her voice and the 15th century baroque intrument viola da gamba to create something hypnotic, haunting and contemporary. This is the closing title track from her forthcoming album on Thrill Jockey (April 7).
[Colleen]

Radical Dads ‘Slammer’
From the Brooklyn band’s third album, 
Taken from the indie rock band’s Cassette Brain EP.
[Radical Dads]

My Morning Jacket ‘Big Decisions’
Taken from Waterfall (ATO, May 4) their first album since 2011’s Circuital. A big stadium filling number driven by Jim James’s vocals and Patrick Hallahan’s drumming, over slide guitar, horns and piano.
[My Morning Jacket]

Evans The Death ‘Expect Delays’
Title track from from the London based indiepop band’s second album (out now on Fortuna Pop! / Slumberland).
[Evans The Death]

Modest Mouse ‘Coyotes’
The other end of the MM spectrum to ‘Lampshades on Fire’ (ITP#73). A waltz-time number from the band’s rather bloody excellent Stranger to Ourselves album.
[Modest Mouse]

Chastity Belt ‘Joke’
Second digital single from Chastity Belt’s second album Time To Go Home (out March 24 on Hardly Art) the highlight is the outro where the band cut loose on the guitars for two and a half minutes.
[Chastity Belt]

Dick Diver ‘Leftovers’
Melbourne, Florida is one of the best albums of 2015 so far and likely to stay that way. It’s one fault? That there are only a couple of tracks that features Steph Hughes on lead vocals. With mournful horns and slide guitar, this one is a real beaut.
[Dick Diver]

Slutever ‘Maggot’
LA garage pop duo of Nicole Snyder and Rachel Gagliardi teamed up with buddies Girlpool for a split cassette last year (though they’ve been releasing stuff through Bandcamp since 2010). This is taken from their new Almost Famous cassette.
[Slutever]

Speedy Ortiz ‘The Graduates’
Lessons learned from the Stephen Malkmus school of songwriting on this second track to appear from the band’s forthcoming album Foil Deer (April 21, Carpark). One of their best songs so far, I reckon.
[Speedy Ortiz]

Sufjan Stevens ‘Death With Dignity’
Openning track from the forthcoming Carrie and Lowell (Asthmatic Kitty, March 31).
[Sufjan Stevens]

Westkust ‘Swirl’
Gothenburg shoegazers who in Hugo Randulv and Gustav Andersson share a couple of members with Makthaverskan (ITP #72). This is taken from their forthcoming album Last Forever (available via their Bandcamp page).
[Westkust]

BRAIDS ‘Taste’
Raphaelle Standell-Preston has featured here a couple of times, firstly with her other project Blue Hawaii and then with ‘In Kind’, the closing track from BRAIDS last album Flourish//Perish. This may not have the quirky edge of that latter track, but it’s a winning slice of 21st Century pop, that takes its influence from the late 20th Century (a bit of drum n’ bass, a bit of trip hop, a bit of Radiohead), but it’s Standell-Preston’s vocals that are the star here.
[BRAIDS]

Soko [featuring Aerial Pink] ‘Lovetrap’
French musician / actress Stephanie Sokolinski (aka Soko) is well known to Australian audiences for her 2007 hit ‘I’ll Kill Her’. Here she teams ups with buddy Ariel Pink for some super smooth 70s-influenced electronic pop. Taken from Soko’s forthcoming My Dreams Dictate My Reality album.
[Soko]

Jenny Hval ‘The Battle is Over’
Previously featured here with ‘Mephisto in the Water’ and her cover of Paul Simon’s ‘The Cool Cool River’, the Norwegian experimentalist returns with this intriguing track from her forthcoming Apocalypse, Girl album (Scared Bones, June).
[Jenny Hval]

Lower Dens ‘Your Heart Still Beating’
Motorik centrepiece of forthcoming third long player Escape From Evil, features some nice Fripp-like guitar in the middle (March 31, Ribbon Music).
[Lower Dens]