In The Pharmacy #47 – December 2013

No less than five track from Scandinavian countries this time round. Plus tracks from New Zealand, Germany, the US and UK.

Röyksopp [feat. Jamie Irrepressible] ‘Something In My Heart’

The b-side of the Norwegian duo’s comeback single Running To The Sea. Warm electronic pop, more laidback than the Susanne Sundfør-helmed, dancefloor-ready a-side, it features the lovely Antony-like warble of Jamie McDermott of the Irrepressibles.
[Röyksopp]

WhoMadeWho ‘The Morning’

Danish electronic pop.
[WhoMadeWho]

Cashmere Cat ‘With Me’
Norwegian glitch-tronica. Taken from the Wedding Bells EP.
[Cashmere Cat]

ceo ‘WHOREHOUSE’
Swedish electronic pop from Tough Alliance’s Eric Berglund.
[ceo]

Shocking Pinks ‘Not Gambling’
Percussive, off-kilter, ever so slightly discordant indie pop from Kiwi Nick Harte. Taken from his forthcoming triple album Guilt Mirrors, due out in February.
[Shocking Pinks]

Eagulls ‘Tough Luck’
More shouty post-punk from Leeds band featured back in July on ITP #39 with ‘Nerve Endings’.
[Eagulls]

The Notwist ‘Close to the Glass’

Freshly signed to Sub Pop, the Munich electronic / post-rock band prepare to release their first proper album in six years – and only their second since the wonderful Neon Golden back in 2002.
[The Notwist]

Withered Hand ‘Black Tambourine’
Jangling indiepop with hints of psych pop from Edinburgh-based Dan Wilson, who is associated with, but separate to, The Fence Collective.
[Withered Hand]

Stephen Malkmus & The Jicks ‘Lariat’

The songwriting on the Jicks’s last album, the Beck produced Mirror Traffic was a little underwhelming. If this is anything to go by, the material on the forthcoming Wig Out At Jagbags will be prime Malkmus.
[Steven Malkmus & The Jicks]

Hiss Golden Messenger ‘Drum’

Durham, NC / Brooklyn, NY folk. Like less quirky, early Devendra Banhart.
[Hiss Golden Messenger]

Temples ‘Mesmerise’

Sunshine psych pop from young Kettering band and Noel Gallagher faves.
[Temples]

Pandreas ‘Rås’
Norwegian space disco house music with a hint of Kraftwerk.
[Pandreas]

In The Pharmacy #46 – November 2013

Mapei ‘Don’t Wait’
Stockholm-based Mapei melds her influences from hip-hop to dance-pop and Swedish club to gospel into an irresistible electronic pop tune (also worth checking out The Kingdom remix on soundcloud).
[Mapei]

Hospitality ‘I Miss Your Bones’

Hospitality’s debut album of catchy indiepop was one of my favourites of 2012. This is the first track to surface from their follow up Trouble due in 2014 on Merge. While it’s obviously the work of the same band (thanks mainly to Amber Papini’s vocal delivery, lyrics and way with a melody line) it feels a lot looser. The three piece allow the instruments some space and explore the edges of the song, getting into an understated jam without sacrificing the tune. Consider anticipation for the album heightened.
[Hospitality]

Porches ‘Townie Blunt Guts’

Distorted guitars, dirty bass and boy/girl vocals on this slow, catchy slice of 90s-influenced indie rock.
[Porches]

Happy Diving ‘Sincere’

More 90s-nodding indie rock, this time from San Francisco. This one bears the influence of Nirvana and Weezer, all fuzzy distortion, gently squealing guitars and liquid bass lines. [Happy Diving]

Angel Olsen ‘Forgiven Forgotten’

After her wonderful 2012 album Half Way Home, Angel Olsen returns with her one woman mixture of Orbison, the Everlys and the Pixies. From her new album due in February next year.
[Angel Olsen]

Smile ‘Still Waiting For My Man’
Another Melbourne-based band purveying jangling, swirling lo-fi indie rock that bears the influence of 80s Flying Nun (especially The Clean) and the indelible imprint of the Velvet Underground. No mere pastiche or slavish copy, these bands merely serve as a jumping off place, although lyrically and titularly, this one obviously has the direct influence of one the Velvets’ most iconic tunes. Taken from the band’s Life Choices album.
[Smile]

Visuals ‘Slowed Down’

Analogue electronica with a Big Black Delta / Atoms For Peace feel from the New York via Berlin artist Andrew Fox. Check out his cover of Space Oddity
[Visuals]

Solids ‘Traces’

Melodic, noise-punk from Canadian duo signed to Fat Possum.
[Soilds]

Broken Bells ‘Holding On For Life’
Brian and James return with more spacey guitar-and-electronic pop from the forthcoming After The Disco.
[Broken Bells]

Marissa Nadler ‘Dead City Emily’
Lovely guitar picking and dark vocal tones from the singer songwriter last featured here a year ago, duetting with Angel Olsen on a Richard & Linda Thompson cover (ITP #22).
[Marissa Nadler]

In The Pharmacy #45 – November 2013

The 15 best tracks from the last couple of weeks, new music from the US, UK, Australia and Poland. Heavy on the women-with-guitars indiepop / garage rock front, plus music wearing the influence of Bon Iver, Hot Chip, The Clean, a great Drake cover from Holy Ghost! new Kurt Vile and Mogwai.

Cults ‘Were Before’
Like a more focussed, sexier, 21st Century version of early Saint Etienne. This, one of the highlights from their second album Static, is a slow build with to the 2 minutes 10 seconds mark when the bass line and vocals kick it up a notch for a killer pay off.
[Cults]

Warpaint ‘Love Is To Die’
The first track taken from their eagerly awaited follow up to 2010’s The Fool find’s the LA band refining their gothy art rock, with the influence of Radiohead and early Cure swimming through the rubbery bass line and arpeggiated guitar riffs.
[Warpaint]

Best Coast ‘Fear of My Identity’
Another track from the LA duo’s Fade Away EP after ‘This Lonely Morning’ was featured in ITP #43. This one originally appeared as one side of a ltd edition Record Store Day 7” back in April but is getting well deserved wider release.
[Best Coast]

Blank Realm ‘Falling Down the Stairs’
First featured back in February (ITP #26) with ‘Cleaning Up My Mess’, this Brisbane band have a taste for woozy new wave, with touches of the Velvet Underground and 80s Flying Nun.
[Blank Realm]

Go Violets ‘Wanted’
Brisbane all girl indie pop band destined for hugeness.
[Go Violets]

Upset ‘Back To School’
90s alt-rock indebted female fronted indie rock from former Vivian Girls and Best Coast member Ali Koehler, sometime La Sera guitarist Jenn Prince and Patty Schemel formerly of Hole.
[Upset]

Kevin Morby featuring Cate Le Bon ‘Slow Train’
Second track lifted from Woods bassist / Babies founder’s debut solo album Harlem River (‘Miles Miles Miles’ was featured in ITP #41, back in September). Here, he enlists the help of Welsh singer songwriter Cate Le Bon for a languorous, laid back number.
[Kevin Morby]

Worriers ‘Precarity Rules’
Literate indie rock from project fronted by New Jersey’s Lauren Denitzio, featuring guitars both chiming and fuzzy.
You can stream the whole Cruel Optimist album over on their label’s Soundcloud page.
[Worriers]

Dum Dum Girls ‘Lost Boys and Girls Club’
First single from the forthcoming Too True, due out the end of January. Once again co-produced by Richard Gottehrer and Sune Rose Wagner. On the Dum Dum Girls blog, Dee Dee says ”Do you hear Suede?  Siouxie?  Cold-wave Patti?  Madonna?  Cure?  Velvet and Paisley Undergrounds?  Stone Roses?  Cuz I did.”, and this definitely has the feel of a slowed down Suede song.
[Dum Dum Girls]

Holy Ghost! ‘Hold On, We’re Going Home’
Brooklyn DFA affiliated electronica duo deliver a synthpop cover of one of the highlight’s from Drake’s near million-selling Nothing Was The Same.
[Holy Ghost!]

Bokka ‘Town of Strangers’
Electronic Pop from Poland.
[Bokka]

Marley Carroll ‘The Hunter’
Driving post-Hot Chip electropop.
[Marley Carroll]

James Vincent McMorrow ‘Cavalier’

Irish singer songwriter has been digging around in the box marked Bon Iver / 21st Century r n’b.
[James Vincent McMorrow]

Kurt Vile ‘Feel My Pain’
First taste of the extra-seven-tracks-deluxe version of Wakin’ On A Pretty Daze due out this month is a beaut. Some lovely acoustic guitar and laid back vocals from KV.
[Kurt Vile]

Mogwai ’Remurdered’
After this year’s excellent score for the supernatural French TV drama Les Revenants, Mogwai tease their next studio album Rave Tapes with some intriguing, more electronic sounding post-rock.
[Mogwai]

In The Pharmacy #44 – Late October 2013

The 17 best tunes from the last two weeks. Indiepop, alt-rock, chamber pop, math rock, electronic pop, post-rock, dreampop and instrumental electronica. Music from the UK, US, Australia, Canada, France and New Zealand.

Veronica Falls ‘Nobody There’
Eighties indebted indiepop from London based fourpiece. This is their first new song since this year’s second album ‘Waiting For Something To Happen, released in coincide with their first Australian dates.
[Veronica Falls]

Upset ‘She’s Gone’
90s alt-rock indebted female fronted indie rock from former Vivian Girls and Best Coast drummer Ali Koehler.
[Upset]

Tom Aspaul ‘Indiana’
The first release from Little Boots’ On Repeat label, Tom Aspaul makes catchy electronic pop with soulful vocals. For fans of Sam Smith and Andy Bull (both on ITP#38).
[Tom Aspaul]

The Bats ‘December Ice’
Robert Scott’s veteran Flying Nun band with another beautiful, hypnotic slice of Kiwi indiepop. Dig those meandering guitars. Their first release since 2011’s Free All the Monsters.
[The Bats]

Mutual Benefit ‘Advance Falconry’
Gentle, autumnal, folky, chamber pop from Boston band’s Love’s Crushing DIamond album.
[Mutual Benefit]

Their / They’re / There ‘New Blood’
Math-y emo from midwesterner Evan Weiss of Into It. Over It. renown.
[Their / They’re / There

Cut Copy ‘Free Your Mind’ (Spiritualized Version)
Jason Pierce delivers a brilliant, almost unrecognisable remix that sounds more like Spiritualized than Cut Copy. It’s all gentle distorted guitars and smacked-out vocals from Pierce.
[Cut Copy] [Spiritualized]

Evan Ønly ‘No Matter What’
80s indebted electronic pop from Underwater Peoples founder Evan Brody, produced by Pains of Being Pure At Heart and Ice Choir man Kurt Feldman.
[Evan Ønly]

Yamantaka // Sonic Titan ‘Windflower’
Candian stoner / psych / heavy / art prog types follow up ‘One’ (ITP#40) with another track from their forthcoming album UZU.
[Yamantaka // Sonic Titan]

GEMS ‘Medusa’
Dreampop band from Washington DC (first featured on ITP #28 back in March) follow up Pegaus with another track titled from Greek Mythology, maybe they just really like Clash of The Titans.
[GEMS]

Deleted Scenes ‘Stutter’
Hints of Modest Mouse, sea shanties and even prog on this appropriately stuttering number from the DC/Brooklyn band’s forthcoming third album Lithium Burn, not due out until next year.
[Deleted Scenes]

Audacity ‘Couldn’t Hold A Candle’
Californian melodic garage punks.
[Audacity]

High Water ‘Someday’
Frequent Nicolas Jaar collaborator Will Epstein has created something intriguing with his first solo release. Atmospheric electronica, blues samples, jazzy interludes, and vocals and handclaps in an aim to make “something that cuts through the cracks in your consciousness”. Job done.
[High Water]

Abstraxion ‘Moon’
(Almost) instrumental electronica from UK based French producer Harold Boué, wherein he invokes us to “do it again” in the classic style.
[Abstraxion

Tycho ‘Awake’
I’ve seen San Francisco’s Scott Hansen described as an ambient electronica producer producer, that doesn’t seem to do justice to this guitar and bass heavy number. Almost verging on post rock electronica.
[Tycho]

Caspian ‘(Hymn For) The Greatest Generation’
Lovely, instrumental post rock from Massachusetts.
[Caspian]

Russian Circles ‘1777’
Epic metallic post rock from the Chicago band’s forthcoming fifth album Memorial.
[Russian Circles]

In The Pharmacy #43 – October 2013

The 17 best new songs from the last couple of weeks. Highest quality indie rock, sci-fi garage-pop, retro synth-pop, motorik space rock, noise pop, psych rock, electronic dance pop and three killer, funky disco tunes.

Best Coast ‘This Lonely Morning’
After the disappointing direction of their second album (over-polished, cheesy country), the LA duo hit a high with this track from their forthcoming EP Fade Away. While it’s not a return to their more lo-fi origins, their gift for crafting euphoric and yearning indiepop shows it hasn’t deserted them.
[Best Coast]

Sebastien Grainger- “Going With You”
Catchy, retro synth pop from one half of reunited Canadian dance-punks Death From Above 1979.
[Sebastien Grainger]

Turbo Lightning ‘Faster Than Light’

New project from ex-Mae Shi member Jeff Byron (including fellow Batwings/Catwings member Dana Poblete on vocals). Alt-rock meets noise-pop with hints of Pretty Girls Make Graves.
[Turbo Lightning]

Dot Wiggin Band ‘Speed Limit’
Lo-fi, sci-fi, garage punk from former The Shaggs vocalist – her first new album in 44 years.
[Dot Wiggins Band]

Thumpers ‘Unkinder (A Tougher Love)’

This upbeat alt-pop tune originally came out in the UK a few months back but the band (former members of awful haircut outfit Pull Tiger Tail) have now signed to Sub Pop and this is getting a new lease of life.
[Thumpers]

Yo La Tengo ‘Super Kiwi’
Recorded with Tortoise’s John McEntire during the sessions for this year’s excellent Fade Out album. This is at the noisier end of the YLT spectrum.
[Yo La Tengo]

Younger Lovers ‘Ballad of Two Stubborn Men’
Shambolic, lo-fi, melodic garage pop.
[Younger Lovers]

Wooden Shjips ‘These Shadows (Acoustic Version)’
An acoustic version of a track from the forthcoming Back To Land album from the San Francisco minimalist psych rockers.
[Wooden Shjips

Popstrangers ‘Rats in the Palm Trees’
First featured here last year on ITP #20 with the psyche-tinged dreampop of ‘Heaven’, this is more straightforward melodic indie from the NZ band.
[Popstrangers]

Cold Beat ‘Worms’
Lo-fi female fronted indie garage rock with surf overtones, from Hannah Lew of San Francisco post-punkers Grass Widow.
[Cold Beat]

Say Lou Lou ‘Feels Like We Only Go Backwards’
Tame Impala cover in an electronic dreampop style from the Swedish twins.
[Say Lou Lou]

Jenny Hval ‘The Cool, Cool River’
Cover of the Paul Simon track ( from 1990’s The Rhythm of the Saints) by the Norwegian spook songstress.
[Jenny Hval]

Absolutely Free ‘Clothed Woman, Sitting’
Canadian “astro-beat” that switches into a spacey, motorik Krautrock groove half way through.
[Absolutely Free]

Katzuma ‘All Night (Extended Mix)’
Funky disco from Italian duo Chico MD and Tony Tee.
[Katzuma]

Coma ‘Les Dilettantes (Roosevelt Mix)’
Dancefloor Electronic pop from Cologne duo of Marius Bubat and Georg Conrad.
[Coma]

Tourist ‘Together’
Dancefloor electronic pop from London musician William Phillips.
[Tourist]

Sébastien Tellier ‘L’amour Naissant’
Atmospheric trip-hop, lounge pop from gallic genre-hopper.
[Sébastien Tellier]

In The Pharmacy #42 – Late September 2013

The 18 best tracks from the last two weeks featuring psych pop, indie rock, electronic pop, and dreampop. Music from the US, UK, Canada, the Netherlands and Australia. The illustrious production skills of James Murphy and Steve Albini are also represented.

Arcade Fire ‘Reflektor’
James Murphy produced first single from the band’s much anticipated follow up to The Suburbs, described by Win Butler as “a mash up of Studio 54 and Haitian Voodoo.
[Arcade Fire]

Of Montreal ‘Belle Glade Missionaries’
Style hopper Kevin Barnes now seems to be mining that rich Bowie circa-Hunky Dory vein. This is the track to surface from the forthcoming twelfth album Lousy With Sylivanbriar (Fugitive Air was featured back on ITP#38).
[Of Montreal]

Parquet Courts ‘You’ve Got Me Wonderin’ Now’
First featured back on ITP #21 with ‘Borrowed Time’ the Brooklyn melodic punk types release this catchy little chugger from their forthcoming Tally All the Things That You Broke EP.
[Parquet Courts]

Phantogram ‘Black Out Days’
Synth pop from New York duo who have collaborated with Big Boi and The Flaming Lips.
[Phantogram]

Low ‘Stay’
Mimi and Alan’s voices in fine form on this cover of the Rihanna song. Available from iTunes, All proceeds go to Chicago music education organization Rock For Kids.
[Low]

Blood Orange ‘Chamakay’

Dev Hynes (Test-Icicles, Lightspeed Champion, producer du jour) teams up with Caroline Polachek from Chairlift for this soulful, noirish pop number. A great 80s jazzy sax break at the end too.
[Blood Orange]

Swearin’ ‘Watered Down’

Scuzzy indie rock from the Brooklyn band’s second album, due out in November.
[Swearin’]

River Tiber ‘The Star Falls’
Downbeat electronic pop from Toronto’s Tommy Paxton-Beesley.
[River Tiber]

Mazes ‘Hayfever Wristband’
Lo-fi, stuttering post punk indie, from Manchester band’s forthcoming Better Ghosts EP.
[Mazes]

Mind Spiders ‘Make Make Make Make’
Sci-fi, speed garage from the band’s forthcoming third album, Inhumanistic. Out next month on Dirtnap.
[Mind Spiders]

Bottomless Pit ‘Fleece’
Steve Albini-produced dark, dirty and slow indie rock from former Silkworm men. You can trace its lineage back through 80s/90s alt rock and slacker indie to The Stooges’ ‘Dirt’.
[Bottomless Pit]

Woman’s Hour ‘Darkest Place’
Dream pop from London based Kendal band.
[Woman’s Hour]

Palehound ‘Drooler’
Another track from 19 year old Ellen Kempner. Compared to the 90s-style indie rock of ‘Pet Carrot’ (ITP #41) this has a very different feel. More like the earlier, more melodic work of Shannon Wright..
[Palehound]

Jacco Gardner ‘The End of August’
Dutch baroque psych pop purveyor (first featured last year back on ITP #23) follows up this year’s Cabinet of Curiosities album with a new 7”.
[Jacco Gardener]

Ducktails ‘Honey Tiger Eyes’
Real Estate guitarist Matt Mondanile’s psych pop side project.
[Ducktails]

Movement ‘Us’
I saw these guys last year on a triple bill with Say Lou Lou and Gnome and thought they were like a more soulful and slightly camp the xx
. Voila!
[Movement]

Grizzly Bear ‘Will Calls (Marfa Demo)’
Superior outtake from the Shields sessions.
[Grizzly Bear

Luke Temple ‘Florida’
Soulful and funky solo recording from frontman of experimental poppers Here We Go Magic.
[Luke Temple

In The Pharmacy #41 – September 2013

The 20 best songs from the last two weeks. Lots of retro influences this time round, the sixties, seventies, eighties and nineties featuring heavily on psych-pop, baroque pop, power pop, post-punk, electronic pop and indie rock. None of these tracks are mere pastiche though, as always the quality of the songwriting is high and melody is favoured over dissonance. There’s a lot to love here, I reckon.

Okkervil River ‘White’
Okkervil River’s new record The Silver Gymnasium is a concept album conceived as a tribute to pre-adolescence and inspired by frontman Will Sheff’s own mid-80s late-childhood in the town of Meriden, New Hampshire. It’s so good I’m top-and-tailing this latest playlist with two of its tracks.
[Okkervil River]

Courtney Barnett ‘Avant Gardener’

Rising Melbourne slack popper Courtney Barnett has slowly been building herself an impressive reputation here in Australia (check out her and the Hoodoo Gurus’ Dave Faulkner covering the Died Pretty’s ‘Everybody Moves’. Clearly a fan of that early Velvet Underground chug, this is a song about trying to pass off a panic attack as anaphylaxis.
[Courtney Barnett]

Frankie Rose ‘Street of Dreams’
The return of New York indie-pop Zelig Frankie Rose (a founder member of Dum Dum Girls, Vivian Girls, and Crystal Stilts) finds her coming over a bit early 80s / gothtronica. This is from her forthcoming third solo album Herein Wild, due out in early October on Fat Possum
.
[Frankie Rose]

Household ‘A New Leaf’
All female post-punk from Brooklyn.
[Household]

Kevin Morby ‘Miles, Miles, Miles’
We’ve featured a few tracks from The Babies and Woods here over the last 18 months. The aesthetic and quality of the songwriting appeals to us. Kevin Morby is a key member of both those groups and carries over those melodic and 60s influences over to his forthcoming debut solo album, Harlem River due out in November on Woodsist.
[Kevin Morby]

September Girls ‘Ships’

All female reverb heavy, gothy noise pop band from Dublin, drawing inspiration from Phil Spector, The Cure, My Bloody Valentine and Jesus and Mary Chain.
[September Girls]

All Dogs ‘Lovesong’

Columbus, Ohio female fronted indie rock. This is one of six equally great songs from their debut, available on bandcamp for just $1.
[All Dogs]

Tony Molina ‘Breakin’ Up’

San Francisco hardcore veteran surprised many with his debut solo album Dissed and Dismissed, an record of short songs that sounded not unlike J Mascis playing with Teenage Fanclub. This sub-90 seconds track is taken from his forthcoming six tracks EP for Matador (due out in October) and takes the 70s power pop influences to the next level
[Tony Molina]

The Dirtbombs ‘Girl On The Carousel’
Detroit genre-melding garage rockers The Dirtbombs finally release their long promised bubblegum pop album this month, entitled Ooey Gooey Chewy Ka-blooey! (September 17th, In The Red Records). This track is at the more baroque end of the spectrum and features some rather nice oboe, dripping in sixties loveliness.
[The Dirtbombs]

Casimer & Casimir ‘O Sweet Joe Pye’
Chicago-via-Detroit, uncle and nephew outfit Casimer Pascal and Vincent Casimir craft catchy, lush, sixties influenced melodic indie pop
[Casimer & Casimir]

Palehound ‘Pet Carrot’
90s style indie rock from 19 year old Yonkers resident Ellen Kempner.
[Palehound]

The Blow ‘From The Future’

Second track of Off-kilter electronic pop from long gestating second album by Portland duo of Khaela Maricich and Melissa Dyne.
[The Blow]

Son Lux ‘Lost It To Trying’
Classically trained multi-instrumentalist Ryan Lott, aka Son Lux, has collaborated with a wide variety of artists. He was one of the s’s along with Serengeti and Sufjan Stevens in the s/s/s project (whose ‘Museum’ was featured back on ITP #4). Here, the baroque electronic pop certainly bears a resemblance to Sufjan’s busier pieces. This is from his forthcoming Lanterns album, due out at the end of October.
[Son Lux]

Roosevelt ‘Elliot’

Electronic dancefloor pop from Berlin’s Marius Lauber. Earlier track ‘Around You’ was featured back in March on ITP #28.
[Roosevelt]

Keep Shelly in Athens ‘Flyaway’
This Greek electronic dreampop band’s ‘Recollection’ was featured a couple of months back on ITP #38. This time round, they are less dreamy, more blissed out but equally as captivating.
[Keep Shelly in Athens]

Some Minor Noise ‘Coffers’
Dark, lo-fi, dancefloor electropop from Toronto duo.
[Some Minor Noise

Gap Dream ‘Shine Your Love’
Cleveland’s Gabe Fulvimar has previously featured twice here with his Gap Dream project. First way back in February 2012 with the Hypnotic 60s-indebted psych-pop of ‘Scary Dennis’ (ITP #3.1) and 1 months ago with the slowed down fuzzy electronic new wave glam rock stomp of ‘Generator’. This one splits the difference between the two, baroque and melodic, 60s indebted with synthetic horns.
[Gap Dream

Paul McCartney ‘New’

After the unnecessary detour of Kisses on the Bottom, Macca returns with Mark Ronson at the controls with the title track of his new album.
[Paul McCartney]

Zachary Cale ‘Wayward Son’
Folky guitar picking from Brooklyn-via-Louisiana type.
[Zachary Cale]

Okkervil River ‘Stay Young’
As promised, the second track from the 80s referencing The Silver Gymnasium.
[Okkervil River]

In The Pharmacy #40 – Late August 2013

The 16 best tracks from the last two weeks. Psych pop, indie rock, electronic pop, alt-folk etc.

Cloud Control ‘Scar’

Catchy, dreamy psych pop with baroque keyboard riff, from Blue Mountains outfit’s second album Dream Cave.
[Cloud Control]

Janelle Monáe featuring Miguel ‘Prime Time’
Smooth as you like, classy r n’b form Monáe and Miguel with a great Prince-esq guitar solo from (I’m assuming) Kellino Parker.
[Janelle Monáe]

Yamantaka // Sonic Titan ‘One’
Stoner / psych / heavy / art prog from Canada
[Yamantaka // Sonic Titan ]

Title Fight ‘Be a Toy’
Kingston Pennsylvania melodic hardcore band
[Title Fight]

Neko Case ‘Night Still Comes’
Second track to be lifted from Neko Case’s forthcoming follow up to 2009’s Middle Cyclone, The Worse Things Get, The Harder I Fight, The Harder I Fight The More I Love You, much of it written and recorded while getting through a bout of depression. A much better showcase for her considerable talents as a songwriter and vocalist than previous track ‘Man’.
[Neko Case]

Volcano Choir ‘Comrade’
Proggy-folk from Justin Vernon (Bon Iver) and fellow Wisconsin musicians. This is the first taste of their forthcoming second album, Repave (due out on Jagjaguwar next month)
[Volcano Choir]

Little Big League ‘My Very Own You’
Indie rock from Philly band featuring ex-members of Titus Andronicus and Strand of Oaks.
[Little Big League]

together PANGEA ‘Snakedog’
LA garage rockers who are not afraid of a screaming guitar solo.
[together PANGEA]

Au Revoir Simone ‘Crazy’

Electronic indiepop from veteran all-female Brooklyn band.
[Au Revoir Simone]

Kelley Stoltz ‘Kim Chee Taco Man’
Jangly psych-pop from San Franciscan garage / lo-fi veteran.
[Kelley Stoltz]

Joanna Gruesome ’Sugarcrush’

Welsh noise-pop that’ll be familiar to fans of pre-Isnt Anything My Bloody Valentine. Reliably signed to Slumberland.
[Joanna Gruesome]

Juana Molina ‘Eras’

Rubbery folktronica from Domino-signed Argentine singer songwriter’s forthcoming sixth album, Wed 21. This one sounds like a looser, more experiemental Lykke Li.
[Juana Molina]

Happy Jawbone Family Band ‘Everybody Knows About Daddy’
Lo-fi psych pop from Vermont.
[Happy Jawbone Family Band]

San Fermin ‘Daedalus (What We Have)’
Chamber pop with Sufjan Stevens-level ambition.
[San Fermin]

Brundlefly and the Swede ‘Cabin Music 2 (Radio Edit)’
Pastoral, instrumental post-rock from former members of Daybed. This is the four minute radio edit of a 12 minute track.
[Brundlefly and the Swede]

The North Sea ‘Stand on the Horizon (Todd Terje Extended Mix)’
Franz Ferdinand collaboration with Norwegian remixer extraordinaire (and star of ITP #1) Todd Terje.
[The North Sea]

In The Pharmacy #39 – August 2013

Haim ‘The Wire’
While ‘Falling’ seemed to take its inspiration from 80s Fleetwood Mac, this one steps back a couple of year’s to borrow the drum pattern from The Eagles’ ‘Heartache Tonight’.
[Haim]

Chastity Belt ‘Black Sail’
Seattle-based all-female self proclaimed ‘Vagina Rock’ band (they have a song with the refrain “Pussy, weed, beer”). This song has a loose, srcatchy indie jangle to it. Check out this nine-minute (college project) mini-documentary to hear their more punk stuff.
[Chastity Belt]

Icona Pop ‘All Night’
Uber-pop from Stockholm duo, less hysterical and more catchy than previous monster smash ‘I Love It’.
[Icona Pop]

Arp ‘High-Heeled Clouds’
Following up June’s ‘More (Blues)’ (ITP #36) Alexis Georgopolous has more quirky pop that seems to nod towards the slightly whimsical art-school /music hall tradition (Blur / Macca / Roxy Music / Split Enz) and whimsical psychedelia of (Syd Barrett / Euros Childs).
[Arp]

La Luz ‘Big Big Blood’
Lo-fi indie rock with surf rock and 60s girl group influences from the Seattle band, previously featured with ‘Sure As Spring’ back in February on ITP#27.
[La Luz]

Sylvan Esso ‘Play It Right’
Electronic project from folk trio Mountain Man’s Amelia Meath and Megafaun bass player Nick Sanborn. This is one side of their double a-side debut release.
[Sylvan Esso]

Party Supplies ‘Beautiful Girl’
Catchy, sub-three-minute electronic dancepop track from Brooklyn ‘anachronistic rock’ duo that might appeal to fans of Friendly Fires and Her Space Holiday.
[Party Supplies]

The Blow ‘Make It Up’
Off-kilter electronic pop from long gestating second album by Portland duo of Khaela Maricich and Melissa Dyne.
[The Blow]

Born Gold ‘Hunger’
One in every six great songs from the last 12 months seems to be the work of a Canadian electronic artist taking their inspiration from some point in the 1980s. This one owes a little rhythmic debt to Some Great Reward-era Depeche Mode and more generally to the darker parts of The Knife’s back catalogue, but altogether has glossier pop ambitions.
[Born Gold]

Regal Degal ‘Unseen’
Lo-fi, fuzzy indie rock.
[Regal Degal]

MEN ‘All The Way Thru’
Not to be confused with the excellent punk / post-hardcore / indie rock types of Open Your Heart and New Moon fame. This is the electronic pop dance project of Le Tigre’s JD Sampson.
[MEN]

Bad Sports ‘Let Me In’
Garage punk from Denton, Ohio.
[Bad Sports]

Annie ‘Invisible’
The Pet Shop Boys do house music end of the irrepressible Scandi-pop phenomenon from Norwegian pop fixture.
[Annie]

Color War ‘Obelisk’
Brooklyn duo Billy J and Lindsay Mound describe their slightly gothic electronic music as “epic pop soundtracks from the desert of dreams”.
[Color War]

The Belle Game ‘River’
Vancouver lo-fi indie rock with a few judicious 60s influences and featuring the powerhouse vocals of frontwoman Andrea Lo.
[The Belle Game]

Fuzz ‘Loose Sutres’
Grunge rock in the classic style from yet another Ty Segal project
.
[Fuzz]

Julia Holter ‘Maxim’s I’
If, like me, you’ve enjoyed but not loved Julia Holter’s music in the past, maybe this is the one that will do it for you. It starts slowly and quietly,  but builds into something epic. A massive grower.
[Julia Holter]

In The Pharmacy #38 – Late July 2013

19 of the best songs from the last two weeks. Stunning returns for Bloc Party and Of Montreal plus new psych pop, indie rock, electronic pop, alt rock, country blues, dreampop and soft rock. Tracks bearing the influence of everyone from the early-70s triumvirate of Bowie, Bolan, and the Rolling Stones to The Kills, M83 and 80s futurists.

Bloc Party ‘Rachet’
“Tell your bitch to get off my shit, smokin’ on that homegrown”
Best thing they’ve done since about 2005. The spiky energy of ‘Banquet’ updated for 2013. Brilliant rave-aping guitar, toy gun sounds and one of Kele’s best vocals.
[Bloc Party]

Of Montreal ‘Fugitive Air’

“Mother always like you best, liked your teeth upon her breast”
The first track to surface from Of Montreal’s forthcoming Lousy With Sylvianbriar album finds Kevin Barnes finding inspiration in the early 70s. Gone is the falsetto and indebtedness to Prince of recent albums to be replaced by some Rolling Stones slide guitar and David Bowie-circa-Hunky Dory tuneage. That post-Velvets louche side of sleazey-glam-rock n’ roll is a bit of a trend in 2013 (cf Foxygen, Saint Rich).
[Of Montreal]

Cosmonauts ‘Shaker’
“It is getting raw so we better cut it off”

Like The Kills with a lof-fi Velvets/Krautrock/80s Flying Nun feel.
[Cosmonauts]

Daughn Gibson ‘Kissin’ On The Blacktop’
“Someone I knew in middle school told me a great big lie and asked to be my friend” Twangy blues rock with electronic underpinning and baritone vocals (like an indie Eliminator-era ZZ Top fronted by Johnny Cash) from Sub Pop signed former trucker from Pennsylvania.
[Daughn Gibson]

Sam Smith ‘Safe With Me’

“Don’t you know your secret’s safe with me”
Superior electro r n’b pop from Cambridge singer best known for featured vocals on Disclosure’s ‘Latch’.
[Sam Smith]

Lloyd Cole ‘Love Like This Can’t Last’
“She’s going to love me ‘til tomorrow, then, well, she’s only human”
Classic jangle pop from LC. This could easily reside on Rattlesnakes.
[Lloyd Cole]

Saint Rich ‘Officer’

“Why do you look so mad, you always look so fucking angry”
More of that post-Velvets / early 70s Bowie / Stones vibe with a hint of Marc Bolan vibrato.
[Saint Rich]

Vulkano ‘Vision Tricks’

“Endless nights of fun fun fun, I lose the grip and I’m on the run”
Swedish angular electronic indiepop from Cissi and Lisa (ex of Those Dancing Days).
[Vulkano]

TRAAMS ‘Flowers’
“I don’t even know your number, and you don’t even know my name”
Second tune from Chichester indie rock trio (‘Low’ was featured back on ITP#36). This one is less spastic guitars, more groove based in an angular 80s post-punk-funk kinda way.
[TRAAMS]

Andy Bull ‘Baby I Am Nobody Now’

“I could be one in a million baby, but I’m nobody now”
Catchy and uplifting analogue electronic pop with r n’b overtones from Sydney alt pop dude.
[Andy Bull]

Elf Power ‘Sunlight on The Moon’

“Transfiguration made me whole now, illumination let me see, I was no longer in control now” Elephant 6 veterans return with 60s indebted psych pop.
[Elf Power]

Pink Frost ‘Ruins’
“So bleed while you can”

Chicago band with a bombastic 90s alt.rock vibe. Like the more melodic bits of …Trail of Dead meets Jane’s Addiction with hints of Smashing Pumpkins.
[Pink Frost]

The Orwells ‘Who Needs You’

“You better count your blessings, kiss your mom and pop, you better burn that flag, cos it ain’t against the law”
Strokes-stomping anti-authoritarian indie rock from the young Chicago band produced by Dave Sitek.
[The Orwells]

Colette ‘When the Music’s Loud’
“When the music’s loud, I don’t think about you”
Thumping stadium electronic retro pop with an M83 vibe from Chicago Dj / prodcuer / vocalist inspired by 80’s futurism, shades of Italo-disco, house and electronica.
[Colette]

Jackson Scott ‘Together Forever’

20 year old guy from North Carolina channels Terry Jacks / Syd Barret / William Blake for swampy, swirling psych pop.
[Jackson Scott]

Army Navy ‘Crushed Like the Car’

“I would like to fall right off the planet, but something is holding my feet down”
LA Powerpop devotees.
[Army Navy]

Keep Shelly in Athens ‘Recollection’

Electronic dreampop from Greece.
[Keep Shelly in Athens]

Jackson and his Computerband ‘Arp’
Second track of instrumental analogue spacetronica from French dude’s forthcoming album on Warp (‘Vista’ was featured on ITP #37).
[Jackson and His Computerband]

Ariel Pink and Jorge Elbrecht ‘Hang on to Life’

“You screwed the pooch now face it, the truth is in the sky”

70s soft rock vibes abound on this one off collaboration between the two art poppers.
[Ariel Pink and Jorge Elbrecht]